![]() ![]() of 2 1 2 Last Jump to page: I have just about every Jerry Bergonzi book, he is a great teacher. What we’re doing here this time is: He jams, playing pentatonics that as far as I could tell had no relation to anything in the book, at least nothing that I could figure out. A fine, high-powered tenor saxophonist with a tone influenced by John Coltrane, a mastery of chord changes, and a strong musical imagination, Jerry Bergonzi has long had an underground following in the Boston area.ĪmazonGlobal Pentaonics Orders Internationally.ĪCUSTICA Y PSICOACUSTICA ROEDERER PDF Inside Improvisation Volume 2 – Pentatonics Pentatonics By Jerry Bergonzi.įor example, the note C would be the: These formulas really make pentatonics much more interesting. Now I’m working on Hexatonics which I like too. Also, as I recall, the chord chart for the demo is not given, so that would be helpful as well. Like a major scale in thirds is really just every other note in the scale The first book in the series seems like it would be a good starting point for beginning improvisors, but I find that the student needs to be quite proficient already to really get anything out of it. You need to get the stuff in your head so you are not reading it. ![]() I have now internalized the formulas, so I don’t read them anymore, I just apply them to whichever key I’m working on. This may be a texture and starting point that wouldnt be intuitive necessarilly, but is alot easier than you think for players who have at least a reasonable proficiency with traditional major pentatonics beforehand.īergonzi pentatonics This is one good reason to study your pentatonics: The first 4 are the same pattern and the last 4 are the same pattern. It brought forward a lot of great ideas for me. As there are 12 Major keys, there are also 12 distinct Major Pentatonics. Bergonzi pentatonics Not sure how to post a transcription here can I post a jpeg?įollow Me on Twitter. The time now is Published by Jamey Aebersold Jazz. If, however, we choose, to begin each mode on the same note, we then generate five individual pentatonic scales, each from a different key. ![]() Play what you feel! I am going through the formulas in every key, playing them by ear. But he is thorough in his approach, no doubt. It’s hard work but what isn’t that’s worthwhile doing. ![]() I transcribed all the solos and they most certainly exhibit the techniques, the trick is realizing which ones he’s using at which time, they may not be obvious. Many of the great modern players have pentatonics at their command and melodic disposal.
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